Quote of the Week

"It is with our passions, as it is with fire and water, they are good servants but bad masters"

Aesop

Monday 20 January 2014

The Saga of Emotions





She lies, reading the book, engrossed in its content that would be tedious to most. She’s invigorated, engrossed, fascinated by the ideas that challenge her thinking. She consumes the words that feed her interest – hungrily devouring sentence after sentence as her passions flare.

She stands up, reading the book, carrying it throughout the house, turning the pages swiftly, eagerly anticipating the next page.

She pauses, stops, stares into the distance, holds the book by her side and thinks.

She stops thinking. She’s overwhelmed by thinking and the passions that have built up within her.

She returns to the book, acknowledging the stirring feeling that this reading has awoken inside her.

She slips her hand into her trousers, gently sliding her fingers towards the line of life that defines her womanhood.

With practiced precision, she presses the bud, caressing it intimately with swiftness and confidence – undetectable to the untrained eye.



Rigidity ensues. She stands perfectly still, staring into nothingness, holding the moment in its fullness.

No screams of delight. No writhing with sensation. No tears from the tantalising pleasure that has enveloped her.

Stillness.

And then a quirky trace of a smile, quite different from the structured smile that she’s learned to add at the end of the sentence – the one that she uses to introduces herself to the world.

And the moment is over.

She places the book aside. Her job is over. Her time is come.

For now.

……………………………………………….

She walks into a crowded room, a bar, two or three deep with people chatting, shouting, gathering together, drinking, buying drinks, laughing, talking.

She waits.

She looks across the room and sees him.

She catches his eye with a clear and constructive stare. No game-playing, no pseudo-nervous look away only to return her gaze on the one that’s caught her eye. Abrupt, determined, focused. 



Got him!

He walks towards her and offers to buy her a drink.

She refuses. She doesn’t want a drink.

He walks away, infuriated by his misinterpretation.

Confusion works its way across her face. Wasn’t she direct enough? How could her stare possibly be misconstrued? It was perfectly obvious what she wanted.

She walks across the room to where he has dejectedly returned.

Why did you walk away? She asks him.

You refused the drink I offered, was his reply.

I didn’t want a drink. I wanted sex.

No point in wasting time with introductions and small talk. That isn’t her style.

Do you want sex?

They leave the bar.

……………………………………..

Bodies sprawled across the bed. Nakedness in every way. Stark fucking. Feel the heat. Work away towards the orgasms. Cum. Cum. Flop.

Prolong the orgasm by grabbing the blanket into the crotch to warm its journey – allowing it to spread from the inner realm to the thighs and stomach, to the chest and the hands. But hold it away from total immersion. Don’t let it feel. Turn your back on your helper.



Sleep. Post-coital. The perfect state of slumber - lasting an eternity of fifteen minutes or so.

Job done.

Job returned to.

A body sprawled over the screen. Severed. Guts cleanly cut. Two bodies. Three women – two victims, one voyeur.

Focus. Look for signs. Concentrate.

……………………………………………

He wakes, disturbed from sleep by the encroaching light from the laptop. Perhaps she’s looking at porn. Perhaps she’s ready for more cock, his cock – eager and hopeful.

Aghast, frightened, he sees the women – all three of them, knowing none.

Work – she explains. Police. Länskrim Malmö


……………………………………..

Poor Saga.


Fortunate Saga.

……………………………………..

Poor Saga.

She doesn’t feel. She’s oblivious to the thoughts of others. She’s unconcerned with their needs.

She can function. She can interact. She can have sex.

She can’t have Satori.

She can’t feel the orgasm to the extent that it should be felt, when it flows mindlessly and mindfully through your body – to your heart, your soul, where it connects you with the one person who knows your mind, your body, who you are.

She can’t feel the warmth of the escalating desire that connects two bodies together. She can’t understand that moment when the physical act of penetration isn’t just functional but is a magnetism that naturally happens of its own volition, drawing the bodies into one, for a moment of perfect synergy. Nothing can prevent it. The whole force of unity – indescribable beauty.

She can’t look into the eyes of another, knowing that every unspoken word is streaming from the mind into the silent consciousness of making love.

She doesn’t hold that emotion of love.

…………………………………………

Lucky Saga. Fortunate Saga.

Her heart won’t be shattered. Her sexual loss won’t be felt because her sexuality isn’t intertwined with her soul.

Fortunate Saga won’t be touched, threatened, overwhelmed with destructive emotions. She won’t feel jealously, envy, hatred, boredom, anger, disgust because she doesn’t connect in order to be consumed by such evils.



She won’t feel bereft, disrespected, lost because she can’t and won’t allow herself to be embroiled by the negative effects of loving another human being. She can’t because she doesn’t know how to.

The emotions that inflict their presence in some of our minds can’t affect this woman because she doesn’t have those emotions. Is she dehumanised by their absence? Is she dysfunctional because she can’t emote? Or is she protected from a world that causes distress to the rest of us?

Saga is learning. She functions perfectly well but is genuinely inquisitive about how people connect with one another. Should her main concern be the wellbeing of her colleagues when she’s going into battle? Should she allow herself to be vulnerable for the sake of others? Should she give something of herself in order that she can know what it is to feel? Should she think of others beyond the knowledge of functional sex - when she goes into a bar hungry for sex?

…………………………………………….

Saga is fortunate because she is undeterred by the feelings or thoughts of others. She can strip off in her office without understanding the possible effects on the male anatomies that encircle her. And even if she does notice their emerging hard-ons, she simply accepts this as a physical reaction without even contemplating where their thoughts wander as they take a trip to the toilet.



Saga is fortunate because she doesn’t understand what could cause someone to be so destructive through passion – because she’s never experienced it. She understands passion. She has a passion for her work but she can’t multiply this passion. She can’t take that passion into other areas of her life. She can’t use that passion to be creative or to feel and she can’t reward creativity and feeling with more passion, different passion.

She knows her limitations. She understands that she can’t manage people, she can’t interact properly with people – hence the false smile that doesn’t spread to her eyes, hence her ability to have raucous sex without even thinking that the other person might be developing a connection with her.

Saga is fortunate because she’s never experienced destructive emotions for herself. She sees it in others – in the victims and perpetrators of crime, but she’s never experienced the feelings inside herself that could lead to emotional responses.

This is fascinating because it isn’t about her choosing not to have destructive emotions or training herself to be non-attached. She has no choice because she has no experience, and this is where she differs from others. Her coldness is somehow negated by her lack of experience. She is human but she hasn’t experienced the afflictions of that humanity. Those who choose to be disconnected are doing precisely that – choosing. Saga has no choice.

She’s never experienced destructive emotions in her life because she’s never experienced all that life has to offer.

Does that make her fortunate or does it make her poor?



In some ways, I want to reach out to her, lie her down, make her connect with herself beyond the functional wank. I want her to look into someone’s eyes and feel the magnetism growing. I want her to feel when someone is sad or angry or overwhelmingly happy and instinctively know that she has to respond to that. I want her to allow herself to be wrapped in another person’s body – prolonging that wonderful orgasm with a sensation of wholeness that every person ought to experience at least once in their lives.

But if I open that world to her, I open up the destruction too – and the potential of upsetting her inexperienced equilibrium.

Dehumanise. Humanise. Dehumanise..........the cycle continues.